Grafenegg Academy Orchestra: Orchestra Concert
Grafenegg Academy Orchestra
Alina Ibragimova, violin
Colin Currie, conductor
Håkan Hardenberger, conductor
Andrej Power, concertmaster
JOSEPH HAYDN
Symphoie in D major Hob. I:101 «The Clock»
HK GRUBER
«Nebelsteinmusik» Concerto No. 2 for violin and strings
GYÖRGY LIGETI
«Melodien» for orchestra
BÉLA BARTÓK
Dance Suite for orchestra
Grafenegg Academy Orchestra: Prélude 2
Ensemble of the Grafenegg Academy
Christoph Moser, clarinet
Håkan Hardenberger, conductor
Alina Ibragimova, concertmaster
LOTTA WENNÄKOSKI
«Suka»
PHILIPPE MANOURY
«Musique II» for Brass and Percussion op. 14 14
BÉLA BARTÓK
Divertimento for Strings
Grafenegg Academy Orchestra: Prélude 1
Ensemble of the Grafenegg Academy
Robin Michael, cello
Håkan Hardenberger, conductor
Colin Currie, conductor
Benjamin Goldscheider, horn
JOHANN SEBASTIAN BACH
Brandenburg Concerto No. 3 in G major BWV 1048
HK GRUBER
«3 MOB Pieces» for Trumpet and Small Orchestra
GYÖRGY LIGETI
«Hamburg Concerto» for Horn and Chamber Orchestra
IHS55: Lecture-Recital
RECITAL
Improvisation, transcriptions and performance of works from: Żaneta Rydzewska, Yongbom Lee et Sandeep Bhagwati.
LECTURE
Title: Inventory and development of new performance tools in the horn repertoire of the 20th and 21st centuries
Abstract: Since Hill’s Extended techniques for the Horn (1983), composers have continued to write challenging music using a variety of new sounds. Further, professional horn players worldwide have expanded their instrument’s orchestration beyond the techniques documented in horn treatises. This research classifies new practices through a non-exhaustive inventory of 1) endogenous techniques [related to horn] [liées au cor] and 2) exogenous techniques [related to other instruments or art forms][liées à d’autres instruments ou formes d’art]. Each sub-inventory identifies the main performance tools in contemporary horn music, allowing associations with emerging aesthetical approaches. Results may guide composers who develop experimental brass works and provide further means to traditionally trained horn players who approach contemporary repertoire. Providing practitioners and higher institutions with these performance tools may contribute to making music of the 20th and 21st centuries more accessible.
Ensemble Tesse: Concerti (Preview projection)
Ensemble ANM + Ensemble Oh-ton: Music by Xenakis
- Iannis Xenakis: Thallein (1984)
- Iannis Xenakis: Jalons (1986)